Category: Personal

Send-up of “Respect Copyright” PSAs

Logic and rational argument have had little effect in the copyright wars. Let’s hear it for scorn and ridicule!

Send-up of “Respect Copyright” PSAs. The CBC’s Rick Mercer has produced a screamingly funny, vicious parody of the copyright boo-hoo-poor-Hollywood ads that run in front of all the movies in Canada now.

WHO MAKES MOVIES?

You know, people go see a comedy or a fantasy or an action film and nine times out of ten they walk out of the theatre at they look at one another and they say “Wow, that was really bad.”

CHARLIE NESMAN MAKES BAD MOVIES

I make a lot of sequels. I’m the guy who makes part four and part five of movies where you haven’t heard of the first one. Someday I’d like to make a part two.

What kind of movie do I like? I like a movie about a monkey that gets special powers and then has to play a sport. That’s the kind of movie I like.

THE PIRACY ISSUE

I don’t know why anyone would ever steal a movie. Unless of course it’s to avoid this commercial which we now play in front of every single movie you could possibly go to, telling you you’re bad for stealing even though you just spent $11 to see some movie and instead you have to sit there and listen to me whine at you and accuse you of being a thief. Nevermind the $9 you just spent for $0.30 worth of popping corn.

MOVIES: THEY’RE NOT WORTH IT

You’re very bad people.

WATCH TELEVISION

Real Stream Link (Thanks, Ted!) [Boing Boing]

Jim Macdonald explains writing

I still have enough to worry about with improving my non-fiction writing skills. Nevertheless, this is a good read if you have any interest in understanding the craft of writing.

Jim Macdonald explains writing. Jim Macdonald, half of the Doyle-Macdonald writing team, has been presiding over a hundreds-posts-long running tutorial on how to write that is unbelievably good and sensible and right. If you want to write, go read this now.

Well, now, what to put in the opening?

We’re going to stick with the chess game metaphor for a while here. In the opening you’re trying to put yourself into a strong position for going into the midgame (where the exciting action and the exciting combinations occur), and you do this mostly by getting your pieces off the back rank as quickly as possible. The pieces are your major characters. Get them out there, and get them doing things.

Don’t neglect your pawns — your minor characters. You should cherish your minor characters. They’ll save your life. If you have a selection of minor characters you can pull them out to solve problems later in the book.

Now, what to put in that first chapter? (Recall that if your readers don’t finish the first chapter they’ll never get to chapter two.)

To answer the question of what goes into chapter one, I’m going to grab the first stanzas from a bunch of Anglo-Scots folk ballads. These were the popular songs of earlier times, cooked by the folk process so that only the important and memorable parts remain, they’re entertaining, and they tell stories.

Link (via Making Light) [Boing Boing Blog]

An April Fools Day Scrooge

Bah! Humbug!

What’s the April Fools Day equivalent of Ebenezer Scrooge?

About the only good thing I have to say about the day is how quickly I was able to delete crap from my aggregator. I can’t say whether any of it was funny or clever because I deleted stuff as quickly as I recognized it.

More evidence that I’m a boring old fart.